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Home • Interviews • Writing A Song • Obituaries International Songwriters Association The Obituaries Songwriter Obituaries (January to June 2025) Honouring Songwriters, Composers, Music Publishers And Members of The Songwriting Community A Name In Blue Denotes An ISA Hall Of Fame Member Carl Dean Carl Thomas Dean was born on July 20, 1942, in Nashville, Tennessee, USA. He was one of three children born to Virginia "Ginny" Bates Dean and Edgar "Ed" Henry Dean. On May 30, 1966, Dean married Dolly Parton in a private ceremony in Ringgold, Georgia, attended only by Parton's mother, the preacher, and his wife. Despite Parton's rising fame, Dean maintained a low profile, rarely accompanying her to public events. He preferred a life away from the public eye, focusing on his work as an asphalt contractor in Nashville, which allowed Parton to shine in her career while he supported her from behind the scenes. . He was however, the inspiration for several of her songs, most notably “Jolene”, which Dolly wrote when she realised that an attractive bank teller had a crush on Carl. As Dolly said “She got this terrible crush on my husband, and he just loved going to the bank because she paid him so much attention. It was kinda like a running joke between us when I was saying, 'Hell, you're spending a lot of time at the bank. I don't believe we've got that kind of money.' So it's really an innocent song all around, but sounds like a dreadful one". Carl was also the inspiration behind Dolly's compositions "Just Because I’m a Woman", "Tomorrow Is Forever", "Say Forever You'll Be Mine", "From Here To The Moon And Back" and "Forever Love". At the age of 82, on the 3rd March 2025, in Nashville, Tennessee, USA, of undisclosed causes. Jim Liddane Joey Molland Joey Molland was born on June 21, 1947, in Edge Hill, Liverpool. He began his musical journey in the vibrant Liverpool rock scene, playing with bands such as The Assassins and The Profiles. In 1965, he joined The Masterminds, marking the start of his recording career with a single that featured a cover of Bob Dylan's "She Belongs to Me" and an original track titled "Taken My Love". Following this, he toured with The Merseys as part of their backing group. In 1967, Joey became a member of Gary Walker & The Rain. The group released several singles, an EP, and an album titled "#1" between 1967 and 1969. This album included four of Joey's compositions and found particular success in Japan. Despite this, the band dissolved in 1969 due to limited success in the UK. Later that year, Joey auditioned for The Iveys, a band signed to The Beatles' Apple Records. He secured the position, and the group subsequently rebranded as Badfinger. The band achieved early success with singles like "Come and Get It", penned by Paul McCartney, and "No Matter What". Joey contributed to the band's songwriting, with notable tracks including "I’d Die Babe", "Sweet Tuesday Morning", and "Suitcase" from their 1971 album "Straight Up". During his time with Apple, Joey also made guest appearances on George Harrison's "All Things Must Pass" and John Lennon's "Imagine". In late 1974, Joey departed Badfinger due to disagreements over management. The following year, he co-founded Natural Gas with Jerry Shirley, formerly of Humble Pie. The band released a self-titled album in 1976 and toured successfully with Peter Frampton before disbanding in 1977. Joey reunited with former Badfinger bandmate Tom Evans to record two albums under the Badfinger name: "Airwaves" in 1979 and "Say No More" in 1981. Afterward, they performed in separate touring versions of Badfinger until Evans' death in 1983. Embarking on a solo career, Joey released "After The Pearl" in 1983, followed by "The Pilgrim" in 1992 and "This Way Up" in 2001. In 2013, he released "Return To Memphis". His most recent album, "Be True To Yourself", came out in 2021 and featured the single "Rainy Day Man". At the age of 77, on the 1st March 2025, in Excelsior, Minnesota, USA of complications brought on by pneumonia. Jim Liddane Angie Stone Angie Stone, born Angela Laverne Brown on December 18, 1961, in Columbia, South Carolina, emerged as a significant figure in the evolution of R&B and soul music. Her journey began in the late 1970s when she co-founded The Sequence, one of the pioneering female hip-hop trios. The group gained recognition with their 1979 single "Funk You Up," which holds the distinction of being the second release by Sugar Hill Records and the first rap single by an all-female group. Following her tenure with The Sequence, Angie collaborated with the hip hop and electro funk group Mantronix and later became the lead vocalist for the R&B trio Vertical Hold. The group released popular tracks such as "Seems You're Much Too Busy" and produced two albums: "A Matter of Time" in 1993 and "Head First" in 1995. In the mid-1990s, her songwriting prowess became evident through her collaborations with D'Angelo. She shared songwriting credits on his acclaimed albums "Brown Sugar" (1995) and "Voodoo" (2000), contributing to tracks like "Jonz in My Bonz" and "Lady." Her involvement extended beyond songwriting, as she also provided backing vocals during his tours. Embarking on a solo career, Angie released her debut album, "Black Diamond," in 1999 on Arista Records. The album received positive reviews and achieved gold certification from both the Recording Industry Association of America (RIAA) and the British Phonographic Industry (BPI). It featured the lead single "No More Rain (In This Cloud)," which showcased her ability to blend classic soul with contemporary sounds. Her sophomore effort, "Mahogany Soul," arrived in 2001 and solidified her status in the neo-soul movement. The album included the hit "Wish I Didn't Miss You," which became one of her most successful singles, reaching the top ten in several countries and topping Billboard's Dance Club Songs chart. Another notable track, "More Than a Woman," a duet with Joe, earned her a Grammy nomination for Best R&B Performance by a Duo or Group with Vocals. In 2004, Angie released "Stone Love," her third studio album, which featured collaborations with artists like Snoop Dogg on the single "I Wanna Thank Ya." The song became her second chart-topper on the US Dance Club Songs chart. Throughout her career, Angie continued to release albums that resonated with audiences, including "The Art of Love & War" in 2007, which debuted at number one on the US Billboard Top R&B/Hip-Hop Albums chart. Beyond her own recordings, her songwriting skills led her to collaborate with a range of artists, contributing to works by Alicia Keys and Lenny Kravitz. Her ability to craft songs that blended heartfelt lyrics with soulful melodies was a hallmark of her enduring career. In addition to her musical achievements, Angie ventured into acting, appearing in films such as "The Hot Chick" (2002) and "The Fighting Temptations" (2003). She also made her Broadway debut in 2003 in the musical "Chicago," showcasing her versatility as a performer. Angie Stone's contributions to music were recognized with three Grammy nominations and, in 2024, her induction into the Women Songwriters Hall of Fame. Her legacy is marked by her influence on the neo-soul genre and her ability to connect with audiences through both her performances and her songwriting. At the age of 63, on the 1st March 2025, in Montgomery, Alabama, USA, following a car crash. Jim Liddane Khalil Fong Khalil Fong Tai Tung was born on July 14, 1983, in Kauai County, Hawaii, USA, to an American-Chinese father, a professional drummer, and a Hong Kong mother, Liang Rulan, an English language educator. At the age of five, Khahil moved with his family to Shanghai, China, where he began his formal education. His upbringing was marked by a blend of Eastern and Western cultures, providing a rich foundation for his future musical endeavors. In his early teens, Khahil's family relocated to Guangzhou, China, where he frequently accompanied his father to various music venues, immersing himself in diverse musical styles. By the age of 14, the family had settled in Hong Kong, and Khahil began composing music for his mother's English language education company, contributing over 100 tunes to their audio learning resources. At 15, he taught himself to play the guitar, and by 17, he was actively submitting demo tapes to record companies. Despite initial setbacks due to his young age and industry dynamics, Khahil persevered, writing songs for established artists such as Andy Lau and Jacky Cheung. His dedication culminated in a recording contract with Warner Music Group in 2005, marking the official launch of his career as a singer-songwriter. Khahil's debut album, "Soulboy," released in 2005, showcased his unique blend of R&B and soul, drawing inspiration from artists like Stevie Wonder and Earth, Wind & Fire. The album received critical acclaim, establishing him as a fresh voice in the Chinese music scene. He continued to build on this success with subsequent albums, including "This Love" in 2006 and "Wonderland" in 2008, each reflecting his evolving musical style and deepening artistry. In 2009, Khahil released "Timeless," his fifth studio album and first cover album, featuring songs in both Mandarin and English that had inspired his musical journey. The album's success led to a series of concerts at the Hong Kong Convention and Exhibition Centre, further solidifying his reputation as a dynamic live performer. Despite facing health challenges, including multiple hospitalizations due to pneumothorax in 2010, Khahil remained committed to his craft, releasing the album "15" in 2011 to commemorate the age at which he first learned guitar. This period also saw him embark on his first concert tour, "15 Khalil Khahil," spanning multiple countries and garnering widespread acclaim. In 2013, after his contract with Warner Records concluded, Khahil signed with Gold Typhoon and embarked on the "Soulboy Lights Up" concert tour. He released the album "Dangerous World" in 2014, earning his third Golden Melody Awards nomination. Demonstrating his entrepreneurial spirit, Khahil launched his own music label, FU MUSIC, in 2016, and released the album "Journey to the West," which earned him four Golden Melody Award nominations and his first win for Best Male Artist. Khahil's creative pursuits extended beyond music; in 2018, he authored a series of bilingual children's graphic novels titled "Emi The Dream Catcher." He also released an extended play of the same name, reflecting his versatility as an artist. Throughout 2018 and 2019, Khahil continued to release singles, including "Dear Ocean," "Fake Monk," and "White Hair," the latter earning him accolades at the Global Chinese Songs Chart. In 2020, he released the extended play "Home Sweet Home," featuring the song "Noodles," which won him a Golden Melody Award for Best Single Producer. In 2021, Khahil expanded into film production, contributing to the science fiction romance "Guidance," directed by Neysan Sobhani. Despite facing health challenges, he remained creatively active, drawing inspiration from his experiences to produce new music. On October 18, 2024, he released his tenth studio album, "The Dreamer," a testament to his enduring passion for music and artistic expression. International Songwriters Association Hall of Fame Member. At the age of 41, on the 21st February 2025, in Dali, Yunnan, China, having battled an unspecified illness for more than five years. Jim Liddane Robert John Robert John Pedrick Jr., born on January 14, 1946, in Brooklyn, New York, embarked on his musical journey at a remarkably young age. In 1958, at just 12 years old, he achieved his first taste of success under the name Bobby Pedrick Jr. with the single "White Bucks and Saddle Shoes," which reached number 79 on the Billboard Hot 100. Transitioning into the 1960s, Robert John became the lead vocalist for the doo-wop group Bobby & The Consoles. During this period, he honed his songwriting skills, co-writing tracks for artists such as Lou Rawls and Bobby Vinton alongside his collaborator, Mike Gately. In 1972, performing under the name Robert John, he released a cover of The Tokens' "The Lion Sleeps Tonight." This rendition resonated with audiences, climbing to number 3 on the Billboard Hot 100. Despite this success, his subsequent releases struggled to replicate this achievement, leading him to step away from the music industry for a time. By the late 1970s, Robert John had taken up construction work in New Jersey. However, a chance collaboration with producer George Tobin reignited his musical career. Together, they crafted "Sad Eyes," a soulful ballad that Robert John wrote, capturing the emotional turmoil of ending an affair. Released in 1979, "Sad Eyes" ascended to the top of the Billboard Hot 100, marking his first and only number 1 hit. Following the success of "Sad Eyes," Robert John released additional singles, including "Am I Ever Gonna Hold You Again" and "Lonely Eyes," both in 1979. Despite their quality, these tracks did not achieve significant commercial success. By 1984, his recording career had largely concluded, and he retreated from the public eye. At the age of 79, on the 24th February 2025, in Las Vegas, Nevada, USA, following a stroke. Jim Liddane Chris Jasper Christopher Howard Jasper, born on December 30, 1951, in Cincinnati, Ohio, embarked on a distinguished musical journey that left an indelible mark on the R&B and funk genres. From a young age, he exhibited a profound passion for music, beginning classical piano training at seven. This early dedication led him to pursue formal studies at the Juilliard School of Music in New York City, followed by a Bachelor of Fine Arts in music composition from C.W. Post, Long Island University. During his time at C.W. Post, Jasper studied under jazz pianist and composer Billy Taylor, further honing his craft. The Jasper and Isley families shared a close bond, residing in the same Cincinnati apartment complex. This connection deepened when Jasper's sister, Elaine, married Rudolph Isley. As teenagers in Teaneck, New Jersey, Jasper, alongside Ernie and Marvin Isley, formed "The Jazzman Trio," with Jasper on keyboards. This ensemble laid the foundation for their future collaborations. In 1973, Jasper officially joined The Isley Brothers, transitioning the group from a vocal trio into a self-contained band. His expertise with keyboards and synthesizers became a cornerstone of their sound. Over the next decade, Jasper played a pivotal role as a songwriter, producer, and arranger. He contributed to numerous hits, including "For the Love of You," "Between the Sheets," "Fight the Power," "Harvest for the World," "Groove with You," "Let's Fall in Love," and "The Highways of My Life." These tracks not only topped charts but also influenced countless artists across genres. After the group's disbandment in 1984, Jasper, along with Ernie and Marvin, formed the trio Isley-Jasper-Isley. In this new formation, Jasper took on lead vocal duties and continued his role as a primary songwriter and producer. The trio achieved success with the hit "Caravan of Love," a song Jasper wrote and sang lead on, which later gained international acclaim through a cover by The Housemartins. In 1987, Isley-Jasper-Isley disbanded, prompting Jasper to embark on a solo career. He established Gold City Records and released 17 solo albums, including the #1 R&B hit "Superbad" in 1988, a track emphasizing the importance of education. Throughout his solo endeavors, Jasper remained committed to themes of love, spirituality, and social consciousness. His work continued to resonate, with many of his compositions being sampled by artists such as Whitney Houston, Aaliyah, Notorious B.I.G., and Jay-Z. Jasper's contributions to music were recognized with numerous accolades. As a member of The Isley Brothers, he was inducted into the Rock & Roll Hall of Fame in 1992 and received the Grammy Lifetime Achievement Award in 2014. In 2022, his songwriting prowess was further honoured with an induction into the Songwriters Hall of Fame. International Songwriters Association Hall of Fame Member. At the age of 73, on the 23rd February 2025, in New York City, New York, USA, of cancer. Jim Liddane Roberta Flack Roberta Flack was born on February 10, 1937, in Black Mountain, North Carolina, and was raised in Arlington, Virginia. From an early age, she demonstrated a profound musical talent, learning to play the piano by the age of nine. Her musical abilities earned her a scholarship to Howard University at the remarkably young age of 15, where she became one of the youngest students to enrol. Initially studying piano, she later shifted her focus to voice, graduating with a degree in music. After college, Roberta worked as a music teacher while performing in Washington, D.C. nightclubs, where her unique blend of classical training, jazz, blues, and folk influences began to attract attention. Her big break came when jazz musician Les McCann heard her perform at a club and was so impressed that he arranged an audition for her with Atlantic Records. This led to the release of her debut album, "First Take", in 1969. Although initially overlooked, the album later achieved major success when one of its tracks, "The First Time Ever I Saw Your Face," was featured in Clint Eastwood's 1971 film "Play Misty for Me". The song, originally written by Ewan MacColl, became a number one hit and won her the Grammy Award for Record of the Year in 1973. This success marked the beginning of her ascent to stardom. Throughout her career, Roberta Flack became known for her rich interpretations of songs and her ability to convey deep emotion. While many of her most celebrated hits were written by other songwriters, she often brought her own unique sensibilities to these works, making them her own. In 1973, she released "Killing Me Softly with His Song", which became one of her signature tunes. Although the song was penned by Charles Fox and Norman Gimbel, Roberta's soulful rendition earned her another Grammy for Record of the Year and remains one of her most enduring recordings. Roberta also enjoyed significant success through her collaborations, particularly with Donny Hathaway. Their duets, including "Where Is the Love" and "The Closer I Get to You," became popular for their smooth vocal interplay and emotional resonance. Their musical partnership was tragically cut short by Hathaway's death in 1979, but their work together remains a highlight of both artists' careers. Although Roberta was more celebrated for her interpretations than her songwriting, she did contribute original material to her albums. For example, she co-wrote "Be Real Black for Me" with Donny Hathaway and wrote "When You Smile" for her album "Quiet Fire". These songs revealed her personal voice and artistic perspective, showcasing her ability to craft lyrics and melodies that complemented her interpretative strengths. In the 1980s and beyond, Roberta continued to record and perform, adapting to changing musical trends while maintaining her distinctive style. She released a series of albums that explored different genres, from pop to jazz, and collaborated with artists like Peabo Bryson. Her influence extended beyond her recordings, as she also devoted time to philanthropic work, supporting music education initiatives. Roberta Flack's career was distinguished by a graceful artistry that bridged genres and defied easy categorization. Her interpretations of songs like "The First Time Ever I Saw Your Face" and "Killing Me Softly with His Song" left an indelible mark on popular music. Even though her original compositions were fewer in number, they added depth to her discography and reflected her nuanced understanding of melody and lyricism. Over the decades, she remained a respected figure in the music industry, known for her emotive performances and refined musicality. At the age of 88, on the 24th February, in Manhattan, New York, USA, of cardiac arrest. Jim Liddane Bill Fay Bill Fay, the English singer-songwriter and pianist, was born in North London on the 9th September 1943. Bill’s music career began in the 1960s when he was attending university in London. While studying, he also performed in local clubs and coffeehouses, developing a distinctive style that blended introspective lyrics with rich, melodic compositions. In 1967, with the assistance of publisher Terry Noon, he secured a recording contract with Deram Records. This led to the release of his debut single, “Some Good Advice” backed with “Screams in the Ears,” which introduced his thoughtful songwriting and reflective tone. In 1970, Fay released his self-titled debut album, “Bill Fay”. The album featured orchestral arrangements that framed his piano-driven songs. It contained tracks such as “Garden Song” and “The Room,” which revealed his themes of spirituality, human frailty, and existential reflection. The songs often touched upon the transience of life and a longing for deeper understanding. Despite the lyrical depth and ambition of the record, it did not achieve commercial success, though it later gained recognition for its understated beauty and emotional resonance. Two years later, he released “Time of the Last Persecution” in 1971, a darker, more stripped-down album inspired by his interest in biblical themes and the apocalyptic mood of the era. Songs such as “Omega Day” and “Til the Christ Come Back” reflected his preoccupation with spiritual questioning, religious symbolism, and societal unrest. The album’s raw sound and intense lyrics contrasted with the lush arrangements of his debut, revealing Fay’s willingness to explore difficult questions about faith, mortality, and human nature. However, like his first album, it failed to find an audience at the time, and Deram Records subsequently dropped him. Following this setback, Fay withdrew from the music industry and lived a quiet life, taking various jobs, including working as a gardener and factory labourer. Though he continued writing songs and recording demos at home, his music remained largely unheard. Over the years, however, a cult following grew around his early work, particularly among musicians who admired his songwriting. Artists such as Jeff Tweedy of Wilco and David Tibet of Current 93 championed his music, helping to bring renewed attention to his albums. This resurgence of interest led to the eventual release of “Tomorrow Tomorrow and Tomorrow” in 2005, a collection of songs recorded over the years with a group of friends known as The Bill Fay Group. The material reflected Fay’s enduring commitment to songwriting, exploring themes of compassion, human connection, and the beauty of nature. His thoughtful, philosophical lyrics continued to resonate with listeners who valued his gentle, introspective style. In 2012, after decades away from the public eye, Bill returned with “Life is People”, his first studio album in over forty years. The album, produced by Joshua Henry, was critically acclaimed and featured contributions from musicians who had long admired him. Songs like “Never Ending Happening” and “The Healing Day” offered messages of hope, redemption, and resilience, delivered in Bill’s warm, understated voice. The album demonstrated that Fay’s songwriting had lost none of its depth or power, and it was widely celebrated for its spiritual wisdom and emotional clarity. Bill followed this success with “Who is the Sender?” in 2015, continuing his exploration of spiritual and ethical questions. Songs such as “Underneath the Sun” and “Something Else Ahead” reflected his persistent concern for the human condition, offering meditations on humility, forgiveness, and the search for truth. His ability to express profound ideas through simple, heartfelt lyrics remained the hallmark of his work. In 2020, Bill released “Countless Branches”, an album that further cemented his legacy as a songwriter of rare sensitivity and insight. Featuring intimate arrangements cantered around piano and voice, the album included songs like “Love Will Remain” and “Filled with Wonder Once Again,” which reflected his enduring belief in the power of love, hope, and human connection. The minimal production highlighted his gentle delivery and the quiet strength of his songwriting. Throughout his career, Bill Fay remained a figure of quiet integrity in the world of music. Though he spent many years in obscurity, his return was marked by a sense of continuity, as his songs continued to offer reflections on life’s deepest questions. His work was characterized by a belief in the possibility of renewal and understanding, even in the face of adversity. The songs he wrote - meditative, compassionate, and deeply human - earned him a devoted following and a reputation as one of the most thoughtful and profound songwriters of his generation. At the age of 81, on the 22nd February 2025, in London , UK, of undisclosed causes. Jim Liddane Jerry Butler Jerry Butler, born on December 8, 1939, in Sunflower, Mississippi, grew up in Chicago, Illinois, where he would later earn the nickname "The Ice Man" for his smooth and cool vocal style. His early life in Chicago exposed him to gospel music, and he began his musical journey singing in church choirs. Butler's professional career started when he joined a group known as The Northern Jubilee Gospel Singers. However, his career took a significant turn when he became a member of a rhythm and blues group that would eventually become The Impressions. In 1958, Butler co-wrote and recorded the song "For Your Precious Love" with The Impressions, a track that would become a landmark hit and is considered a classic of the soul genre. This song, marked by its emotional depth and Butler's rich baritone voice, played a crucial role in defining the emerging Chicago soul sound. Shortly after this success, Butler decided to embark on a solo career. His departure from The Impressions allowed Curtis Mayfield, his friend and band-mate, to take the lead in the group. As a solo artist, Butler's career flourished throughout the 1960s. He became known for his heartfelt ballads and smooth delivery. His hits included "He Will Break Your Heart," co-written with Curtis Mayfield and Calvin Carter, which reached number one on the Billboard R&B chart in 1960. The song showcased Butler's ability to convey vulnerability and emotion, solidifying his place in the pantheon of soul music. Other notable songs included "Only the Strong Survive," which became one of his biggest hits in 1969. The song, produced by Gamble and Huff, emphasized themes of resilience and strength in the face of heartbreak. Butler also scored hits with Hnery Mancini’s "Moon River," "Never Give You Up," and "Hey, Western Union Man," all of which further established his reputation as a leading figure in soul music. Throughout his career, Butler collaborated with a range of prominent artists and songwriters. His partnership with Curtis Mayfield was especially notable, and they worked together on several compositions that became soul standards. Butler's style was marked by his sophisticated delivery and lyrical themes that often touched on love, heartbreak, and perseverance. His smooth vocals and refined stage presence earned him a loyal following and critical acclaim. In addition to his musical accomplishments, Butler also ventured into the political arena later in life. In 1985, he began a new chapter by being elected as a Cook County Commissioner in Illinois. His transition from music to politics was motivated by a desire to serve his community and address issues affecting residents of Cook County. Butler served in this role for over three decades, dedicating himself to public service and earning respect for his commitment and integrity. He worked on various initiatives related to health care, criminal justice reform, and economic development, demonstrating the same dedication and poise that characterized his musical career. International Songwriters Association Hall of Fame Member. At the age of 85, on the 20th February 2025, in Chicago, Illinois, USA, of Parkinson’s disease. Jim Liddane Paquita la del Barrio Francisca Viveros Barradas, known artistically as Paquita la del Barrio, was born on April 2, 1947, in Alto Lucero, Veracruz, Mexico. Her musical career began in Mexico City in 1970, where she performed in a small restaurant in the Colonia Guerrero neighbourhood. It was during this period that she adopted the stage name Paquita la del Barrio. Her breakthrough came in 1986 when she appaeared on a Televisa television program, gaining nationwide recognition. Following this performance, she secured a recording contract with CBS Records, which launched her career on a larger scale. Throughout her career, Paquita became famous for her powerful and defiant lyrics, often taking a feminist stance against machismo and male infidelity. Her songs resonated deeply with women, as they openly criticized unfaithful men and celebrated female empowerment. Although she was known for interpreting many iconic songs, she also penned three major compositions “El fracaso de mi amor”, “Señor”, and “Esperanza de amo”. These songs were born from moments of personal solitude and reflected her own earlier life story. At the age of fifteen, she had run away with Miguel Gerardo, a man who was forty-four years old at the time. This marriage lasted seven years, and only ended when she discovered that her husband was already married and had another family. Among her most recognized performances, “Rata de dos patas”, written by Manuel Eduardo Toscano, became one of her signature songs. The song, which described a deceitful and despicable man, was widely believed to be a direct attack on corrupt politicians and dishonest men in general. Other famous songs she performed included “Tres veces te engañé”, composed by Candelario Macedo, “Piérdeme el respeto”, “Taco placero”, and “Cheque en blanco”. These songs became anthems among her audience, particularly women who had suffered from betrayal and heartbreak. Beyond her musical career, Paquita also ventured into politics. In 2021, she ran for a local deputy position in Veracruz under the Movimiento Ciudadano party. Although she did not win, her candidacy reflected her long-standing commitment to defending women's rights and advocating for gender equality. Over more than five decades, Paquita received numerous accolades for her contributions to regional Mexican music. In 2021, she was honoured with the Billboard Latin Music Lifetime Achievement Award, recognizing her lasting impact on the industry. Her music and persona remained deeply embedded in popular culture, as she continued to be a symbol of resilience and defiance against societal norms that often favoured men over women. At the age of 77, on the 17th February 2025, in Veracruz, Mexico, following a heart attack. Jim Liddane Don Rollins Don Rollins, born on September 27, 1961, in Beaumont, Texas, graduated from Lamar University in 1983, having studied under Dr. James S. Simmons. Following his graduation, Don embarked on a 17-year career as a music educator in Texas public schools, where his bands consistently earned superior ratings in marching, concert, and sight-reading contests. His jazz bands notably won numerous festivals, including the University of Houston Jazz Festival in 2001. Parallel to his teaching career, Don maintained an active presence as a professional saxophonist. He played in horn sections supporting renowned artists such as The Temptations, The Four Tops, Martha and The Vandellas, Little Anthony and The Imperials, Bobby Vinton, and Lawrence Welk. Don Rollins' songwriting journey began in 1989 when country music legend Ray Price recorded "The Other Woman". In 1997, he secured a publishing deal with Warner/Chappell Music, which lasted over a decade. Relocating to Nashville in 2001, Rollins co-wrote "It's Five O'Clock Somewhere" with Jim "Moose" Brown in 2003. The song, performed by Alan Jackson and Jimmy Buffett, spent eight weeks at number one on the Billboard and R&R charts and earned a Grammy Award for Best Country Song in 2003. It was featured on Alan Jackson’s "Greatest Hits Volume 2," an album that sold over six million copies, and also appeared on several live albums by Jimmy Buffett and a collaborative live album by Jackson, Buffett, and George Strait. In 2007, Rollins contributed two songs to Reba McEntire's platinum-selling "Duets" album, including collaborations with Faith Hill and Carole King. Throughout his career, his songs were recorded by artists such as Randy Travis, Neal McCoy, Ronnie Milsap, Ricky Skaggs, and British singer Edwina Hayes. Beyond songwriting, Don remained dedicated to music education, teaching songwriting classes and serving as a guest speaker at institutions like the Berklee School of Music and the Renaissance Center in Dickson, Tennessee. His contributions to music were recognized in 2008 when he was inducted into the Lamar University Music Hall of Honour. At the age of 63, on the 8th February 2025, in Vidor, Texas, USA, of undisclosed causes. Jim Liddane Horst Weidenmüller Horst Weidenmüller was born in 1964 in the Black Forest region of West Germany. In 1982, at the age of 18, he moved to Berlin, drawn by the city's vibrant punk scene. Immersing himself in the music culture, he began producing concert videos for punk bands, capturing performances by artists such as Nick Cave, Einstürzende Neubauten, Crime & the City Solution, and Lydia Lunch. In 1985, at 21, Weidenmüller founded Studio !K7 in Berlin, naming it after its original address at Kaiserdamm 7. Initially, the company focused on producing concert videos, but as the music landscape evolved, so did !K7. In the early 1990s, Weidenmüller became a significant figure in Berlin's burgeoning techno scene. He launched the X-Mix series in 1993, which combined DJ mixes with computer animations, offering a novel audiovisual experience. These mixes featured renowned DJs like Laurent Garnier and Richie Hawtin and were later broadcast on MTV, bringing techno music to a broader audience. That same year, Weidenmüller introduced the DJ-Kicks series, a collection of DJ mixes that gained international acclaim. Over the years, the series featured influential artists such as Carl Craig, Kruder & Dorfmeister, and Peggy Gou, solidifying its reputation in the electronic music community. Under Weidenmüller's leadership, !K7 expanded its horizons. In 2008, he acquired and relaunched Strut Records, a label dedicated to funk, soul, and world music. Recognizing emerging genres, he established 7K! in 2017, focusing on neoclassical music, and later introduced Ever Records, a jazz label. These ventures showcased his commitment to diverse musical expressions. Beyond label management, Weidenmüller ventured into artist management in the early 2010s. He worked with artists like Tricky, assisting him in rebuilding his music catalogue and managing his finances. His management roster grew to include talents such as Mykki Blanco, DJ Tennis, Brandt Brauer Frick, Marquis Hawkes, and Portable. Weidenmüller's influence extended to industry advocacy. He served on the board of the Independent Music Companies Association (IMPALA) since 2003 and was its co-president until 2011. He also played a pivotal role in the digital rights agency Merlin Network from its inception in 2008. Passionate about sustainability, he founded IMPALA's Sustainability Task Force, leading initiatives like the development of a bespoke carbon calculator for labels and promoting the business case for sustainability in the music industry. Under his guidance, !K7 Music achieved B Corporation certification, reflecting its commitment to high social and environmental standards. The company also engaged in community initiatives, notably partnering with Ernst-Reuter-Schule in Berlin to teach students music production, marketing, and distribution, thereby fostering creativity and technical skills among the youth. In December 2024, in recognition of his nearly four-decade-long contribution to the European independent music sector, Weidenmüller received the IMPALA Outstanding Contribution Award. This honour highlighted his dedication to music, sustainability, and inclusion. At the age of 60, on the 8th February 2025, in, Berlin, Germany, of undisclosed causes. Jim Liddane Irv Gotti Irv Gotti, born Irving Domingo Lorenzo Jr. on June 26, 1970, in the Hollis neighborhood of Queens, New York City, was a significant figure in the hip-hop and R&B music scenes. He began his career as a teenage DJ in Queens, where he discovered rapper Mic Geronimo. This early experience led him to a talent scout position in the A&R department at TVT Records. During this period, he briefly served as a DJ for Jay-Z, contributing to the initial rise of the rapper's career. In June 1996, under the moniker DJ Irv, Gotti produced "Can I Live" on Jay-Z's debut album, "Reasonable Doubt." This collaboration marked a turning point, with Jay-Z bestowing upon him the nickname "Irv Gotti," inspired by mobster John Gotti. In 1997, Gotti facilitated Def Jam's signing of Ruff Ryders artist DMX. As executive producer, he oversaw DMX's debut studio album, "It's Dark and Hell Is Hot," released on May 12, 1998. The album debuted at number one on the Billboard 200 and sold over 250,000 copies in its first week, eventually achieving quadruple platinum status in the United States. Following these successes, Lyor Cohen of Def Jam granted Gotti his own label, which he co-founded with his brother Chris. Inspired by the notorious crime syndicate, they named it Murder Inc. Records. The label's inaugural release was Ja Rule's debut album, "Venni Vetti Vecci," in June 1999, with Gotti serving as co-producer and executive producer. He continued his collaboration with Ja Rule on the 2000 album "Rule 3:36," co-producing singles like "Between Me and You." In 2002, Gotti released "Irv Gotti Presents The Inc," featuring the Murder Inc. roster. He co-produced all tracks, including the hit single "Down 4 U." His production credits extended to artists such as Ashanti, Jennifer Lopez, Kanye West, Fat Joe, Memphis Bleek, and Eve. Notably, he produced Ja Rule's "Always on Time," featuring Ashanti, which became a chart-topping hit. In the subsequent years, Gotti rebranded Murder Inc. as The Inc. and moved the label to Universal Motown, signing artists like Vanessa Carlton. He co-produced Carlton's third album, "Heroes and Thieves," released on October 9, 2007. In September 2013, he relaunched Murder Inc. as an umbrella label under his new venture, Visionary. A prolific songwriter and collaborator, his million-selling songs included "Foolish", "Rain on Me" and "Only You", (all recorded by Ashanti), "What's Luv?" by Fat Joe, "Rainy Dayz" by Mary J. Blige, "Wonderful" by Ja Rule, "Down 4 U" by Irv Gotti Presents the INC, and "Violent Crimes" by Kanye West. Beyond music, Gotti ventured into television, creating the BET series "Tales." Despite facing legal challenges, including a 2024 lawsuit alleging sexual assault and abuse, Gotti remained a notable figure in the industry. At the age of 54, on the 5th February 2025, in New York City, USA, following a stroke. Jim Liddane Gene "Daddy G" Barge Gene "Daddy G" Barge, born James Gene Barge Jr. on August 9, 1926, in Norfolk, Virginia, was a significant figure in American music, renowned for his saxophone prowess, songwriting, and production skills. His early years were marked by a deep engagement with music; after serving briefly in the Air Force, he pursued higher education at West Virginia State College, initially focusing on architecture before switching to music due to his growing passion for the saxophone. He graduated in 1950. In the 1950s, Barge became a prominent figure in the Norfolk music scene, collaborating with various bands and vocal groups. His recording career commenced in 1955 with the release of saxophone instrumentals "Country" and "Way Down Home" on Chess Records' Checker Label. A pivotal moment came in 1957 when he played the saxophone on Chuck Willis' "C.C. Rider," a track that ascended to the number one spot on the R&B charts. The early 1960s saw Barge co-founding The Church Street Five, a band that recorded for Norfolk's Legrand Records. In 1960, they released "A Night with Daddy G," an instrumental that laid the foundation for Gary U.S. Bonds' 1961 hit "Quarter to Three." This collaboration not only brought Barge widespread recognition but also led to his enduring nickname, "Daddy G." He continued to work with Bonds on several hits, including "School Is Out," "Dear Lady Twist," and "Twist Twist Senora." Relocating to Chicago in the early 1960s, Barge joined Chess Records as a producer, arranger, and saxophonist. During his tenure, he contributed to numerous recordings, notably playing on Fontella Bass' 1965 hit "Rescue Me." Following the closure of Chess Records in 1971, he transitioned to Stax Records' gospel division, Gospel Truth, where he produced tracks like Inez Andrews' "Lord Don't Move the Mountain" and The Beautiful Zion Baptist Church's "I'll Make It Alright." In the mid-1970s, Barge collaborated with pianist Marvin Yancy and Charles Jackson, leading to his involvement in producing demos for Natalie Cole. This partnership culminated in the Grammy-winning production of Cole's "Sophisticated Lady" in 1977. Beyond his musical endeavours, Barge ventured into acting, appearing in films such as "Code of Silence," "Above the Law," "Under Siege," "The Package," and "The Fugitive." He also served as a consultant for Martin Scorsese's 2003 PBS documentary, "The Blues." Throughout his career, Barge's songwriting contributions were significant. He co-wrote "A Night with Daddy G," which, as previously mentioned, became the basis for "Quarter to Three." His work with Gary U.S. Bonds also included co-writing tracks like "School Is Out" and "Dear Lady Twist." Additionally, during his time at Chess Records, he was involved in writing and arranging numerous songs, further cementing his legacy in the music industry. At the age of 98, on the 2nd February 2025, in Chicago, Illinois, USA, of heart failure. Jim Liddane Ben Vaughn Born in Sullivan, Kentucky in 1975, Ben Vaughn grew up with a deep love for country music. While at school, he worked for a period at local radio station WMSK where he recalled interviewing several songwriters, one of whom suggested that Ben might consider going to college in Nashville and gave him a contact in Warner Chappell who might be of use. The following year, Ben left Sullivan to attend Belmont University. While interning at Warner Chappell’s partner company Big Tractor Music in Nashville, he was put in charge following a sudden management departure, on condition that he grew the company while simultaneously not giving up his college studies. He managed to achieve both goals during the next six years. After graduating Belmont, Ben moved to EMI, where he led the creative department, and at 34, became the youngest executive ever to head a major publisher in Nashville. Eventually, he returned to head Warner Chappell, where he had started as an intern with Big Tractor Music. As CEO of Warner Chappell for over a decade, Ben oversaw all the company’s creative and commercial operations, supported songwriter advocacy, becoming much admired by the many songwriters whom he had nurtured, and led the company to multiple industry honours. Under his leadership, songwriters whom Ben had signed won 35 Song of the Year titles, and eight of them were inducted into the Nashville Songwriters Hall of Fame. At the age of 49, on the 29th January 2025, in Nashville, Tennessee. USA, of undisclosed causes. Jim Liddane Buddy Brock Buddy Brock, born William Calhoun Brock Jr. in 1954, in Greenwood, South Carolina, was an American country songwriter whose songs were recorded by such stars as Aaron Tippin, Tracy Byrd, Kenny Chesney, George Strait, Sammy Kershaw, and more. He also penned "Watermelon Crawl" co-written with Zack Turner and performed by Tracy Byrd, which when released in August 1994, reached #4 on the Billboard Hot Country Songs chart and even made an appearance on the Billboard Hot 100 as a dance remix. In 1992, two years after re-locating to Nasvhille to become a staff writer at Acuff-Rose, Brock co-wrote "There Ain't Nothin' Wrong with the Radio" with Aaron Tippin. This song achieved remarkable success, holding the Number 1 spot on the country chart for three consecutive weeks in April and May of that year. Another notable work was "I Wanna Fall in Love," co-written with Mark Spiro and recorded by Lila McCann. Released in September 1997, it climbed to number 3 on the Billboard Hot Country Singles & Tracks chart by February 1998. Brock's collaboration with Aaron Tippin also produced "You've Got to Stand for Something," which reached #6 on the Billboard country chart. Additionally, he co-wrote "Haunted Heart" with Kim Williams, a song that became a #9 country hit for Sammy Kershaw. His partnership with Tippin further yielded "I Wonder How Far It Is Over You," a track that secured a spot within the top 40 country hits. Along with these successes, Brock co-wrote "Fall in Love" with Kenny Chesney and Kim Williams. Performed by Chesney, the song was released in March 1995 and peaked at number 6 in both the United States and Canada. At the age of 72, on the 24th January 2025, in Mt Juliet, Tennessee USA, of undisclosed causes. Jim Liddane Unk Anthony Leonard Platt, known professionally as Unk, was born on November 28, 1981, in Atlanta, Georgia. He began his musical career in 1998 as a DJ, joining the Southern Style DJs after meeting DJ Jelly and DJ Montay. This group performed at various events across Georgia, including high school parties and proms. In 2000, Unk signed with Big Oomp Records, marking the start of his recording career. Unk's debut album, "Beat'n Down Yo Block!", was released on October 3, 2006. The album featured the hit single "Walk It Out," which gained significant airplay in Atlanta before achieving nationwide popularity. The track peaked at number 10 on the Billboard Hot 100 chart, establishing Unk as a prominent figure in the hip-hop scene. Following this success, he released "2 Step" in 2007, another popular single that reached number 24 on the Billboard Hot 100. Both songs were accompanied by distinctive dances that became cultural phenomena. In 2008, Unk released his second album, "2econd Season," which included the single "Show Out." Although this track achieved moderate success, it did not replicate the impact of his earlier hits. Throughout his career, Unk collaborated with various artists and producers, notably working with DJ Montay, who produced several of his tracks. In 2009, Unk suffered a heart attack, which he attributed to unhealthy habits developed during his touring years. This health scare led him to make significant lifestyle changes, including giving up alcohol and marijuana. Despite these challenges, he continued to produce music, releasing singles such as "Have a Toast" in 2013 and "Wait" in 2014. He also remained active in the music scene by touring college circuits and engaging with his fan base. Unk's contributions to music extended beyond his own performances. His tracks were featured in popular media, including the NBA 2K9 video game soundtrack, further cementing his influence in hip-hop culture. At the age of 43, on the 24th January 2025, in Atlanta, Georgia, USA following a heart attack. Jim Liddane Gabriel Yacoub Born in Paris in 1952, Gabriel Yacoub was a French singer, songwriter, and musician known for his influential contributions to the folk and folk-rock scenes. Growing up in a culturally rich environment that would later influence his musical endeavours, his early life was shaped by exposure to traditional music, as well as contemporary genres, which inspired his fusion of old and new musical forms. Yacoub's career began in the late 1960s when he joined the group Malicorne, which he co-founded with his then-wife Marie Sauvet. Malicorne became one of the most prominent bands in the French folk revival movement, blending traditional French music with modern instruments and arrangements. Yacoub's work with the group was characterized by a deep respect for traditional melodies and lyrics, often sourced from old French chansons and dances, which he and the band reimagined for contemporary audiences. Some of Malicorne's notable albums, such as “Almanach” and “Le Bestiaire”, include Yacoub's innovative arrangements and compositions. Although much of Malicorne's repertoire consisted of traditional songs, Yacoub's songwriting skills became evident during his tenure with the group. His ability to craft songs that preserved the essence of folk traditions while introducing personal and modern elements distinguished him as a composer. Songs like "Pierre de Grenoble," which was inspired by a traditional melody but featured his nuanced lyrical additions, demonstrate this blend of old and new. After leaving Malicorne in the early 1980s, Yacoub embarked on a solo career that further cemented his reputation as a singular voice in French music. His solo albums, such as “Trad Arr” (1985) and “Quatre” (1994), showcased his talent for weaving poetic and introspective lyrics with intricate melodies. One of his most celebrated songs, "Je vois venir," is a hauntingly beautiful piece that reflected his skill in creating music that feels both timeless and deeply personal. Another noteworthy song, "Les Choses les plus simples," illustrated his penchant for exploring themes of love, loss, and the passage of time with an understated yet powerful lyrical style. Yacoub's solo work often reflected a strong connection to nature, folklore, and the human experience. His voice, known for its warmth and expressiveness, served as a perfect vehicle for conveying the emotional depth of his songs. Over the years, he collaborated with a variety of musicians, further enriching his music with diverse influences and textures. In addition to his own albums, Gabriel Yacoub's influence can be seen in the work of many younger artists who have drawn inspiration from his innovative approach to folk music. Throughout his career, Yacoub remained dedicated to his craft, blending traditional French music with contemporary elements to create a unique and enduring body of work. His songs often featurd a blend of acoustic and electric instrumentation, including the hurdy-gurdy, guitar, and various traditional instruments, which lent a rich and textured sound to his compositions. His music has been widely praised for its ability to transcend linguistic and cultural barriers, appealing to audiences around the world. At the age of 72, on the 22nd January 2025, in, Bourges, France, of undisclosed causes. Jim Liddane Barry Goldberg Born in 1942 in Chicago, Illinois, USA, Barry Goldberg was a songwriter, musician, and producer, whose career spanned several decades and crossed numerous genres, most notably blues and rock. Barry grew up immersed in Chicago’s vibrant blues scene. Early in his life, he was heavily influenced by the music of Chicago blues legends such as Muddy Waters, Howlin' Wolf, and Otis Rush. As a young keyboardist, Goldberg began playing in local clubs, where he had the opportunity to perform with iconic figures like Buddy Guy and Mike Bloomfield, cementing his reputation as a gifted musician. Goldberg's career took a significant leap forward in the mid-1960s when he co-founded The Electric Flag alongside guitarist Mike Bloomfield and drummer Buddy Miles. The Electric Flag was an innovative group that blended blues, rock, soul, and jazz, showcasing Goldberg's talents on the Hammond organ and piano. The band's debut album, “A Long Time Comin” (1968), is considered a groundbreaking work, and although the group was short-lived, it left a lasting impact on the music world. In addition to his work with The Electric Flag, Goldberg became a sought-after session musician and songwriter. He collaborated with Bob Dylan, playing keyboards on some of Dylan's legendary live performances, including the historic Newport Folk Festival in 1965 when Dylan famously went electric. His association with Dylan would remain a notable highlight of his career. As a songwriter, Barry Goldberg penned or co-wrote numerous songs that have been performed by a wide range of artists. One of his most enduring compositions was "I've Got to Use My Imagination," co-written with Gerry Goffin and famously recorded by Gladys Knight & The Pips. Released in 1973, the song became a major hit, reaching No. 4 on the Billboard Hot 100 chart and showcasing Goldberg's ability to craft soulful, emotionally resonant material. Another notable song co-written by Goldberg was "It’s Not the Spotlight," which has been recorded by artists such as Rod Stewart and Beth Orton, further solidifying his reputation as a versatile and skilled songwriter. Goldberg's contributions to film and television were also significant. He composed music for various projects, including the score for the movie “Mississippi Burning” (1988), which brought his bluesy sensibilities to a wider audience. His music appeared in several other films and TV shows, enhancing his legacy as a versatile composer. In the later stages of his career, Goldberg continued to collaborate with notable musicians and explore new creative avenues. In 2014, he teamed up with Stephen Stills and guitarist Kenny Wayne Shepherd to form The Rides, a blues-rock supergroup. The group released two albums, “Can't Get Enough” (2013) and “Pierced Arrow” (2016), both of which received critical acclaim for their authentic blues sound and high-energy performances. At the age of 83, on the 22nd January 2025, in Chicago, Illinois, USA, of complications from non-Hodgkin's lymphoma. Jim Liddane Petr Hannig Born in 1946 in Ústí nad Labem, Czechoslovakia, Petr Hannig was a Czech musician, composer, producer, and politician who made notable contributions to both his country's cultural and political life. Petr began his career in music after studying at the Prague Conservatory, where he developed his skills in piano and composition. Early in his musical journey, he became known for his work as a producer, collaborating with and discovering many Czech artists, including the iconic singer Lucie Bílá, whose career he helped launch. Hannig went on to found his own record label and music publishing firm, specialising in mainstream pop music, through which he contributed significantly to the Czech music industry. Throughout his career, Petr was known for his ability to blend traditional Czech musical elements with contemporary pop influences, earning him recognition as a respected figure in the entertainment industry. His compositions often reflected his classical training and his passion for creating music that resonated with the public. Over the years, he worked with Czech various artists and produced a wide range of music that enjoyed commercial success in Czechoslovakia and beyond. In addition to his musical career, Petr Hannig ventured into politics later in life. He became involved in political activism and was a founding member of the Party of Common Sense (Strana Zdravého Rozumu), which promotes conservative values and national interests. As a politician, Pert positioned himself as a vocal advocate for traditional cultural values and expressed concerns about globalisation's impact on Czech identity. He ran for the presidency of the Czech Republic in 2018 but did not advance past the first round of voting. Despite this, his campaign reflected his dedication to preserving Czech traditions and addressing issues such as immigration and European Union policies. At the age of 79, on the 21st January 2025, in Prague, Czech Republic, of undisclosed causes. Jim Liddane John Sykes Born in Reading, Berkshire, England in 1959, John Sykes was a renowned guitarist, songwriter, and vocalist, best known for his work in several influential rock and heavy metal bands, including Thin Lizzy, Whitesnake, and Blue Murder. His career spanned decades, marked by a distinctive guitar style, powerful vocals, and an enduring legacy as a songwriter. Sykes began playing guitar at an early age, heavily influenced by rock legends like Jimi Hendrix, Jimmy Page, and Gary Moore. His professional career took off in the late 1970s when he joined the band Streetfighter. His talent soon caught the attention of the British hard rock band Tygers of Pan Tang, with whom he recorded two albums, “Spellbound” (1981) and “Crazy Nights” (1982). Sykes’ contributions to these records, particularly his melodic yet aggressive guitar work, helped establish his reputation as a rising star in the heavy metal scene. In 1982, Sykes joined Thin Lizzy, a pivotal moment in his career. He was brought in to replace Snowy White and played a significant role in the band’s final studio album, “Thunder and Lightning” (1983). His explosive guitar solos and contributions to the songwriting, notably on tracks like “Cold Sweat,” co-written with Phil Lynott, showcased his ability to blend melody and intensity. Sykes also participated in Thin Lizzy's farewell tour before the band disbanded in 1983. Following Thin Lizzy, Sykes joined Whitesnake, led by David Coverdale. His tenure with the band marked a commercial and artistic high point. He played a critical role in reshaping Whitesnake's sound, contributing to their 1984 album “Slide It In” and co-writing much of their eponymous 1987 album (“Whitesnake” in the US, “1987” in Europe). The latter became a massive success, featuring hit songs like “Still of the Night,” “Is This Love,” and “Here I Go Again.” Sykes co-wrote “Still of the Night” and “Is This Love,” among others, and his incendiary guitar riffs and solos were central to the album's appeal. However, internal tensions led to his departure from Whitesnake before the album's release, and he did not tour with the band during its peak of popularity. In 1988, Sykes formed the hard rock band Blue Murder, where he took on both guitar and vocal duties. The band's self-titled debut album, “Blue Murder” (1989), featured songs like “Valley of the Kings” and “Jelly Roll,” which highlighted Sykes’ songwriting prowess and versatile musicianship. Despite critical acclaim, the band struggled to achieve widespread commercial success, and lineup changes hindered its momentum. Sykes continued to release music under the Blue Murder name, with the 1993 album “Nothin' But Trouble”, but eventually transitioned to a solo career. As a solo artist, Sykes released several albums, including “Out of My Tree” (1995) and “20th Century” (1997). These works displayed his signature blend of melodic hard rock, soulful vocals, and virtuosic guitar playing. His songs often explored themes of love, personal struggle, and resilience, resonating with fans worldwide./ At the age of 65, on the 19th January 2025, in Los Angeles, California, USA, of cancer. Jim Liddane Stéphane Venne Born in 1941 in Montreal, Canada, Stéphane Venne was particularly renowned for his contributions to French-language music in Canada, creating a lasting legacy through his evocative lyrics and memorable melodies. His career spanmed several decades, during which he established himself as a prolific songwriter, performer, and producer. Venne was particularly renowned for his contributions to French-language music in Canada, creating a lasting legacy through his evocative lyrics and memorable melodies. In the 1960s, Stéphane Venne emerged as a significant voice in Quebec's burgeoning cultural movement, which sought to promote Francophone identity and artistry. This era coincided with the Quiet Revolution, a period of significant social and cultural change in Quebec. Venne’s songwriting often reflected the introspective and poetic sensibilities of this time, resonating deeply with audiences. Among his most famous works is the song "Le début d’un temps nouveau," which became emblematic of the optimism and change associated with the Quiet Revolution. This song captured the spirit of a society undergoing transformation and remains one of the defining anthems of that era in Quebec. Its uplifting lyrics and hopeful tone struck a chord with listeners and solidified Venne’s reputation as a songwriter with a profound ability to articulate collective sentiments. Venne also worked extensively with celebrated performers of the time, crafting songs that highlighted their vocal talents while conveying rich emotional depth. For instance, he wrote "Un jour, un jour," which was performed by Donald Lautrec and served as the official song for Expo 67, a world exposition held in Montreal. This song encapsulated the excitement and pride of hosting such a globally significant event and further established Venne as a prominent cultural figure. He also provided songs For Emmanuëlle, Pierre Lalonde, Renée Claude, Suzanne Stevens and Marie-Élaine Thibert. A notable collaboration was with Ginette Reno, one of Quebec’s most beloved singers. For Reno, Venne wrote "La dernière valse," a song that showcased her powerful voice and emotional range. His ability to tailor his compositions to suit the strengths of individual artists contributed to his enduring success and wide-ranging influence. In addition to his songwriting, Venne had a notable career as a performer. He recorded several albums, blending his poetic sensibilities with accessible melodies. While his own recordings were not as commercially successful as the works he wrote for others, they demonstrated his versatility as a musician and his dedication to his craft. Venne’s contributions extended beyond the music industry into film and television. He composed scores and theme songs that enriched the narratives they accompanied, further showcasing his ability to evoke emotion through music. His work in this area includes the theme song for the Quebec television series “Les Berger”, which became widely recognized and appreciated. Over the years, Stéphane Venne received numerous accolades for his contributions to music and culture. He was honoured with awards recognizing his influence on Francophone music and his role in shaping Quebec’s cultural identity. Stéphane Venne’s legacy lies not only in the timeless quality of his songs but also in the cultural impact he made during a transformative period in Quebec’s history. Through his lyrics and melodies, he captured the essence of an evolving society, leaving an indelible mark on the province's cultural landscape. At the age of 83, on the 17th January 2025, in Montreal, Quebec, Canada, of cancer. Jim Liddane Melba Montgomery Born in 1938 in Iron City, Tennessee, USA, Melba Montgomery was an American country music singer-songwriter, renowned for her distinctive voice and her contributions to the genre as both a singer and a songwriter. Melba grew up in Florence, Alabama, in a musical family. Her mother was the local Methodist choir director, her father was a fiddler, and she learned to play guitar at an early age, developing a love for traditional country and bluegrass music, which would deeply influence her style throughout her career. In the early 1960s, Montgomery's big break came when she won a talent contest sponsored by the Grand Ole Opry, which led to her being introduced to Roy Acuff. This opportunity helped her gain entry into the country music scene. However, her career truly took off when she began collaborating with George Jones. Their duets became incredibly popular, and they were celebrated for their chemistry and traditional country sound. One of their most successful songs was "We Must Have Been Out of Our Minds," which Montgomery co-wrote with Earl Montgomery, her brother. Released in 1963, the song became a Top 5 hit on the country charts and remains a classic example of traditional country music. Montgomery's collaborations with Jones continued to produce several hits, including songs like "What's in Our Hearts" and "Let's Invite Them Over." These duets solidified her place in country music and showcased her ability to convey deep emotion through her singing. Her voice, characterised by its raw, heartfelt quality, resonated with fans who appreciated the traditional sounds of the genre. Beyond her work with George Jones, Montgomery also pursued a successful solo career. She recorded numerous albums and singles, many of which highlighted her songwriting skills. Among her notable solo hits was "No Charge," a song written by Harlan Howard. Released in 1974, it became her only No. 1 hit on the country charts and crossed over to the pop charts. The song's narrative about a mother explaining the sacrifices she has made for her child struck a chord with audiences and is considered one of the definitive songs of her career which between 1962 and 2010, saw her release more than thirty solo and collaborative albums, twenty duet singles with such acts as George Jones, Charlie Louvin and Gene Pitney (thirteen of which charted), and forty-five solo singles. Montgomery's contributions as a songwriter were significant, though they are often overshadowed by her singing career. She wrote or co-wrote many of her own hits, often collaborating with her brother, Earl Montgomery, and other notable songwriters of the time, scoring such successes as George Strait's Top 5 hit "What Do You Say to That", along with chart entries for such acts as Skeeter Davis, Bobby Bare, Roy Drusky, Priscilla Mitchell, Emmylou Harris, John Prine, Del Reeves, Timi Yuro, Eddy Arnold, Connie Smith and Roger Williams. Her writing frequently explored themes of heartbreak, family, and faith, reflecting her roots and the values of her audience. Throughout the 1960s and 1970s, Montgomery continued to release music and perform, maintaining a loyal fan base. She recorded duets with other artists as well, including Charlie Louvin and Gene Pitney, further cementing her reputation as a versatile and talented performer. In later years, Montgomery remained active in the music industry, though her commercial success waned as country music evolved. She will always be regarded as a significant figure in the genre, particularly for her contributions to the traditional country sound and her ability to convey authentic emotion through her music, and her influence can be seen in the work of several later artists who continued to draw inspiration from her style and songwriting. At the age of 86, on the 15th January 2025, in Nashville, Tennessee, USA, of complications brought on by dementia. Jim Liddane David Lynch Born in Missoula, Montana, USA, in 1946, David Lynch, was best known as a visionary filmmaker and producer whose work in that field included such classics as “Twin Peaks”, “Blue Velvet” and “Mulholland Drive”. However he also made significant contributions to the world of music and composition. David’s early life was marked by a peripatetic childhood, as his father worked for the U.S. Department of Agriculture, which led the family to relocate frequently. This upbringing in small-town America deeply influenced his artistic sensibilities, which often explore themes of suburban unease and surrealism. Lynch’s journey into music and composition is closely tied to his filmmaking career. From his earliest works, he exhibited a keen interest in using sound and music as integral components of storytelling. His breakthrough film, "Eraserhead" (1977), featured an unsettling industrial soundscape that he co-created with sound designer Alan Splet. This project marked the beginning of Lynch’s experimental approach to sound design and his interest in music that could evoke specific emotions and atmospheres. As his film career progressed with projects like "Blue Velvet" (1986), "Twin Peaks" (1990-1991), and "Mulholland Drive" (2001), Lynch became increasingly hands-on with the musical elements of his work. He often collaborated with composer Angelo Badalamenti, with whom he developed a long-standing creative partnership. Together, they crafted some of the most iconic soundtracks in film and television history, blending dreamy, melancholic melodies with eerie, unsettling undertones. The theme for "Twin Peaks" in particular, became a cultural touchstone, showcasing the emotional depth and atmospheric power of their collaborations. David’s personal involvement in music expanded beyond his collaborations with Badalamenti. He began experimenting with writing lyrics and composing music himself. His 2010 album "Crazy Clown Time" marked his debut as a solo musician, featuring a collection of experimental electronic tracks characterised by haunting vocals, surreal lyrics, and layered soundscapes. The album demonstrated Lynch’s penchant for pushing boundaries, much like his work in film. Throughout his musical career, David Lynch showed a fascination with technology and its impact on sound. He often incorporated digital tools and synthesisers into his compositions, blending them with more traditional instruments to create a unique sonic palette. His second solo album, "The Big Dream" (2013), continued this trend, exploring themes of mystery and introspection through a mix of blues, electronic, and ambient music. Lynch’s approach to music mirrored his filmmaking style in its emphasis on mood and atmosphere over conventional structure. His work often blurred the lines between genres, challenging listeners with unexpected juxtapositions and unconventional arrangements. His music, like his films, invited audiences into a world that was simultaneously familiar and alien, comforting and disturbing. In addition to his solo albums, Lynch contributed to various musical projects and soundtracks, collaborating with artists such as Chrysta Bell, Karen O, and Lykke Li. His multidisciplinary approach to art and music underscored his belief in the interconnectedness of creative expression, where sound, visuals, and narrative converged to create immersive experiences. David Lynch’s contributions to music and composition, though overshadowed by his reputation as a filmmaker, represented an essential facet of his artistic legacy. His work in this domain exemplified his relentless curiosity and commitment to exploring the boundaries of creative expression, cementing his status as a true Renaissance artist. At the age of 78, on the 15th January 2025, at his daughter’s house in California, USA, of complications brought on by emphysema, soon after having been evacuated from his own home due to the Southern California wildfires. Jim Liddane Matthew Capper Born in Orange, New South Wales in 1978, Matthew Capper was already a working musician when he was appointed administration manager at Festival Music Publishing in Sydney. Four years later, he joined Warner Chappell, eventually rising to become the long-serving MD of that company at their Melbourne HQ. At the age of 30, he also became the youngest-ever director of APRA as well as the deputy chairperson of AMCOS. A talented guitarist, Matthew was highly regarded by the songwriters he signed, both for his dedication to their careers and for his total integrity. At the age of 47, on the 12th January 2025, in Gisbourne South, Melbourne, Australia, of complications following surgery for a ruptured appendix. Jim Liddane Sam Moore Born in Miami, Florida, USA, in 1935, Sam Moore was a singer-songwriter who emerged as a significant figure in the soul and R&B music scenes. Sam Moore’s career started in gospel, performing with groups like the Sensational Hummingbirds and the Melionaires. A pivotal moment occurred in 1961 at Miami's King of Hearts Club, where he met Dave Prater. This meeting led to the formation of the dynamic duo Sam & Dave. Initially signed to Roulette Records, Sam & Dave recorded one of Sam's songs "I Need Love", a composition which would be covered by another soul duo James & Bobby Purify. Sam & Dave achieved modest success on Roulette before joining Atlantic Records in 1964. They were subsequently "loaned" to Stax Records, where their collaboration with songwriters Isaac Hayes and David Porter resulted in a series of hits. Notable tracks include "You Don't Know Like I Know" (1965), "Hold On! I'm Comin'" (1966), "When Something Is Wrong with My Baby" (1967), "Soul Man" (1967), and "I Thank You" (1968). Their energetic performances and soulful harmonies earned them the nickname "Double Dynamite." Despite their success, tensions between Moore and Prater led to their initial split in 1970. They reunited in 1971, continuing to perform together until their final show on December 31, 1981. Tragically, Prater died in a car accident in 1988. Following the duo's final separation, Moore pursued a solo career. He collaborated with artists such as Don Henley, Bruce Springsteen, and Lou Reed. In 1986, he re-recorded "Soul Man" with Reed for the film of the same name, reaching No. 30 on the UK Singles Chart. Moore also appeared in the 1988 film "Tapeheads" alongside Junior Walker, portraying the fictional soul duo "The Swanky Modes." A lifelong Republican, Moore penned the song "Dole Man" for Republican Bob Dole’s presidential campaign in 1996. Throughout his career, Moore received numerous accolades. In 1992, he and Prater were inducted into the Rock & Roll Hall of Fame. "Soul Man" was inducted into the Grammy Hall of Fame in 1999. Moore was also honoured with a Pioneer Award by the Rhythm & Blues Foundation in 1991 and a MOBO (Music of Black Origin) lifetime achievement award in 2006. In his later years, Moore remained active in the music industry. He performed at various events, including a tribute concert for George Jones in 2013 and President Donald Trump's inaugural concert in 2017. In 2022, he collaborated with Bruce Springsteen on two tracks for Springsteen's soul cover album. Moore's personal life was marked by challenges, including a battle with drug addiction, which he overcame with the support of his wife, Joyce McRae. The couple became advocates for artists' rights and anti-drug programs. At the age of 89, on the 10th January 2025, in Coral Gables, Florida, USA of complications from surgery. Jim Liddane Laurie Holloway Born Laurence Holloway, in 1938, in Oldham, UK, Laurie Holloway was a pianist, composer, and musical director renowned for his contributions to television and jazz music. He began playing the piano at the age of four, received formal lessons by seven, and became the organist and choirmaster at his local church by twelve. Turning professional in 1954, Holloway joined Syd Willmott and his Band as a pianist, later performing with Geraldo and the Cyril Stapleton Band. As a session musician, he played on numerous hit tracks, including Petula Clark's "Downtown" in 1964. From 1970 to 1975, he served as the musical director for Engelbert Humperdinck, collaborating on albums and touring the United States, including performances in Las Vegas. Holloway's association with jazz deepened through his work with singer Cleo Laine, leading to his role as pianist and arranger for the John Dankworth Band. He collaborated with a diverse array of artists, such as Stéphane Grappelli, Tom Jones, Judy Garland, Liza Minnelli, Sammy Davis Jr., and Gilbert O’Sullivan. His compositions include theme tunes for television shows like "Game for a Laugh," "Blind Date," and "Beadle's About." In 1990, Holloway accompanied Queen Elizabeth II and Princess Margaret on piano for a private recording of Scottish childhood songs at Buckingham Palace, intended as a gift for the Queen Mother's 90th birthday. Beginning in 1998, he became the musical director for Michael Parkinson's chat show, a role he maintained until 2007. He and Michael remained close friends, living close to each other in Bray until Parkinson's death in 2023. In 2004, Laurie was appointed the original musical director for the BBC's "Strictly Come Dancing," contributing numerous arrangements for the show's first three series. During his career, he penned two stage musicals, one of which ("Instant Marriage") was a long-runing West End success starring Joan Sims. He released fifteen albums, appeared on dozens of hit singles, and received several accolades, including the Gold Badge of Merit from the British Academy of Composers and Songwriters. He was appointed Member of the Order of the British Empire (MBE) in the 2013 Birthday Honours for services to music. He was married to American jazz singer Marion Montgomery from 1965 until her passing in 2002, and together they set up the charity The Montgomery Holloway Music Trust which provides assistance to promising young singers. At the age of 86, on the 9th January 2025, in Bray. Berkshire, UK, of undisclosed causes. Jim Liddane Ken Chase Born Milton Yorgan in Oklahoma, USA in 1935, Ken Chase was a radio DJ on KISN in Portland, Oregon, where he opened a teen club called The Chase, and selected a local semi-pro act The Kingsmen to regularly play there. In 1962, Chase produced the band performing an esoteric version of the classic Richard Berry song “Louie Louie”. The subsequent release hit No. 2 on the Billboard Hot 100 chart in 1963 going on to sell two million copies. By 2024, there were 2150 cover versions enabling "Louie Louie" to become the most-recorded song of all time. At the age of 85, on the 7th January 2025, in Portland, Oregon, USA, of undisclosed causes. Jim Liddane Peter Yarrow Born in New York City, New York, USA, in 1938, Peter Yarrow was a singer-songwriter, founder of the legendary folk trio Peter, Paul and Mary and an International Songwriters Association Hall Of Fame Member. Peter’s early life was marked by a strong cultural influence, and he grew up in an intellectual household. He showed an interest in music from a young age and attended the High School of Music & Art, followed by Cornell University, where he studied psychology and graduated in 1959. After finishing his education, Yarrow became immersed in the burgeoning folk music scene in New York's Greenwich Village, a hub for artists and activists during the late 1950s and early 1960s. His musical influences included traditional folk artists and contemporaries like Woody Guthrie, Pete Seeger, and the Weavers. Yarrow’s major breakthrough came when he joined forces with Noel Paul Stookey and Mary Travers to form the iconic folk trio Peter, Paul and Mary in 1961. The group was assembled by Albert Grossman, a prominent music manager of the era. Their eponymous debut album was released in 1962 and was an immediate success, featuring popular songs like "Lemon Tree" and "If I Had a Hammer." Yarrow's songwriting talents shone brightly when he co-wrote "Puff, the Magic Dragon," a song released in 1963 that became synonymous with the group's name and is considered one of the most memorable folk songs of the 20th century. The story behind the song "Puff, the Magic Dragon" is one of whimsy, nostalgia, and the loss of childhood innocence. Written by Peter with lyrics adapted from a poem by his friend Leonard Lipton, the song tells the tale of a boy named Jackie Paper and his magical dragon friend named Puff, who live in a mythical land called Honalee. The origins of the song dated back to 1959 when Leonard Lipton, a college student at Cornell University, was inspired by a poem he had read about a dragon. Feeling creative, he sat down at a friend’s typewriter and wrote his own poem about a dragon named Puff. Lipton left the poem at the home of Peter Yarrow, who found it and decided to turn it into a song. Yarrow polished the lyrics and set the words to music, adding a wistful melody that complemented the poignant theme of the poem. "Puff, the Magic Dragon" was released in 1963 as part of Peter, Paul and Mary’s album Moving. The song became an instant hit and resonated deeply with audiences. Its gentle melody and bittersweet lyrics evoke the magic of childhood imagination and the inevitable passage of time. The narrative focuses on the joyful adventures of Jackie Paper and Puff, who play together in a world of wonder. As Jackie grows older, he loses interest in Puff, symbolizing the end of childhood and the fading of imagination. Puff, heartbroken by Jackie’s absence, retreats to his cave, never to be seen again. Over the years, the song has been subject to various interpretations. One widespread, yet incorrect, theory suggested that the song was an allegory for drug use, with references to "paper" and "puff" being coded allusions to smoking marijuana. Peter Yarrow and Leonard Lipton have consistently denied this interpretation, emphasizing that the song is simply a tale about the innocence of childhood and the inevitable process of growing up. Yarrow once remarked that the drug theory was "preposterous" and lamented that it overshadowed the song’s true meaning. Peter, Paul and Mary quickly became not just musical stars but symbols of the social and political upheaval of the 1960s. They were prominent participants in the civil rights movement, performing at the historic March on Washington in 1963 where Martin Luther King Jr. delivered his famous "I Have a Dream" speech. The trio also took part in the Selma to Montgomery marches in 1965, using their platform to call for civil rights and social justice. They were vocal critics of the Vietnam War, and their music became a rallying cry for peace. Songs such as "Blowin' in the Wind," written by Bob Dylan but popularized by Peter, Paul and Mary, underscored the group’s commitment to activism through music. After a decade of success, Peter, Paul and Mary disbanded in 1970, with each member pursuing solo projects. During this period, Yarrow continued to write, produce, and perform music. He co-wrote and produced Mary MacGregor's chart-topping hit "Torn Between Two Lovers" in 1977, which showcased his versatility in genres beyond folk. He also contributed to children’s programming, earning an Emmy nomination for his work on animated specials based on "Puff, the Magic Dragon." Despite his solo endeavours, Yarrow’s heart remained with the causes he championed through music, including environmentalism and human rights. In 1978, Peter, Paul and Mary reunited to perform at anti-nuclear rallies and benefit concerts. This reunion sparked a renewed interest in their music, and they began touring again, bringing their message of hope and justice to a new generation of listeners. Yarrow's dedication to activism extended into education when he founded Operation Respect in 1999, an organization that promotes anti-bullying and character education programs in schools. The organization’s message, centered around mutual respect and dignity, resonated with Yarrow's lifelong ideals of compassion and empathy. Peter Yarrow's personal life was not without controversy. In 1970, he was convicted of taking "immoral and improper liberties" with a minor, for which he served a short prison sentence. He was later pardoned by President Jimmy Carter in 1981. Despite this episode, Yarrow continued to be recognized for his contributions to music and social activism, and his work with Operation Respect garnered praise for positively influencing thousands of students across the United States. Yarrow remained musically active well into his later years, performing solo and with his bandmates until Mary Travers’ death in 2009. The loss of Travers marked the end of an era for the trio, but Yarrow and Stookey continued to perform together occasionally, keeping the spirit of their music alive. Yarrow also published books, including a children’s book adaptation of "Puff, the Magic Dragon," which featured illustrations and further cemented the song’s legacy in American culture. International Songwriters Association Hall Of Fame Member. At the age of 86, on the 7th January 2025, in New York City, New York, USA, of bladder cancer. International Songwriters Association Hall Of Fame Member Obituary, courtesy of Jim Liddane Ed Askew Born in in Stamford, Connecticut, USA in 1940, Ed SAskew was an American painter and singer-songwriter renowned for his contributions to the psych-folk genre. In 1963, he moved to New Haven to study painting at the Yale School of Art, where he graduated in 1966. After his graduation, to avoid the draft, he secured a teaching position at a private preparatory school in Connecticut. During this period, he began composing songs and acquired a Martin Tiple, an instrument that became a hallmark of his music. In 1967, Askew briefly relocated to New York City, where he met Bernard Stollman of ESP-Disk, who offered him a recording contract. This led to the release of his debut album, "Ask The Unicorn," in 1968. Following this, he returned to New Haven, performing both solo and with his band until 1986. In 1987, he moved back to New York City, continuing to write, record, and occasionally perform. Throughout his career, Askew released eleven albums, including "Little Eyes" in 2005, "Imperfiction" in 2011, and "For The World" in 2013, which featured collaborations with artists like Sharon Van Etten. His final album, "London," was released in 2020. In addition to his musical endeavours, Askew was a dedicated painter, maintaining a lifelong commitment to visual art alongside his music. His work garnered praise from various music media outlets, with Pitchfork labelling him “a New York legend”. At the age of 84, on the 4th January 2025, in New York City, New York, USA, of undisclosed causes. Jim Liddane Brenton Wood Born in 1941 in Shreveport, Louisiana, USA, Brenton Wood was a singer and songwriter whose family relocated to San Pedro, California, during his childhood. There he attended San Pedro High School before moving to Compton High School, where he excelled as a track athlete, earning several awards. After graduating, he enrolled in East Los Angeles College, during which time he adopted the stage name Brenton Wood, possibly inspired by the affluent Los Angeles neighbourhood of Brentwood. Greatly influenced by Sam Cooke, even recording a version of Cooke’s classic “A Change is Gonna Come”, Wood honed his songwriting abilities and became a proficient pianist. In 1966, Wood he signed with Double Shot Records and the following year, "The Oogum Boogum Song" reached No. 19 on the U.S. Billboard R&B chart and No. 34 on the Billboard Hot 100. This was followed by his biggest hit, "Gimme Little Sign," which peaked at No. 9 on the pop chart and No. 19 on the R&B chart, selling over one million copies and earning a gold disc. Another notable track from the same year, "Baby You Got It," also reached No. 34 on the Hot 100. In the early 1970s, Wood established his own record labels, Prophesy Records and Mr. Woods Records, and in 1972, co-produced and co-wrote the funk-soul track "Sticky Boom " with collaborators George Semper and Al McKay of Earth, Wind & Fire fame. Throughout the 1970s, he continued to release music, including the single "Rainin' Love (You Gotta Feel It)" in 1975 and a rendition of the olf Fleetwoods classic "Come Softly to Me" in 1977. After a period of relative quiet, Wood returned to the music scene in 1986 with the album "Out of the Woodwork," which featured contemporary re-recordings of his earlier hits alongside new material, including the single "Soothe Me." He remained active in the music industry, releasing the album "This Love Is for Real" in 2001. In 2014, he collaborated with William Pilgrim & The All Grows Up on a remake of "Gimme Little Sign" for their album "Epic Endings", while his first hit, "The Oogum Boogum Song" was featured in a commercial for Kinder Joy products in 2019. During his career, Brenton Wood released nine studio albums and several compilations along with 24 singles, while his music was featured in numerous films and television shows, including "Almost Famous," "Don't Worry Darling," "Big Little Lies," and "The Umbrella Academy". In early 2024, he launched what he described as his final tour. The "Catch You On The Rebound" tour (named after one of his early hits), was cancelled mid-way due to illness. At the age of 83, on the 3rd January 2025, at his home in Moreno Valley, California, USA, of undisclosed causes. Jim Liddane Don Nix Born 1941 in Memphis, Tennessee, USA, Don Nix was a musician, songwriter, and producer who started his career as a member of the Mar-Keys who scored a US Top 10 hit in 1961 with "Last Night" and would later provide the backing on records for such acts as Otis Redding, Carla Thomas, Wilson Pickett and many more. Having moved to Los Angeles in 1965, he founded Don Nix & The Alabama State Troopers who released several albums, and also took up record production, working with and writing for such acts as Leon Russell, Gary Lewis & The Playboys and John Mayall. During this period, he penned "Goin' Down" for Moloch, a tune which would subsequently covered by more than 70 acts including The Rolling Stones, J J Cale, Chicken Shack, Freddie King, John Lee Hooker, Dr Feelgood, Deep Purple, Savoy Brown, the Jeff Beck Group, Bryan Ferry, Fun Lovin' Criminals and the Who. He also penned "Same Old Blues" (Freddie King, Irma Thomas and others), "Everybody Wants to Go to Heaven" (Earl Scruggs and The Earl Scruggs Revue) and "Black Cat Moan" (John Mayall). Don Nix released nine solo albums, including "In God We Trust" and "Goin' Down: The Songs of Don Nix", and published three books - "Road Stories and Recipes", "Who's That with Don Nix?" and "Memphis Man: Living High, Laying Low". At the age of 83, on the 1st January 2025, in Germantown, Tennessee, USA, of undisclosed causes. Jim Liddane Wayne Osmond Born on August 28, 1951, in Ogden, Utah, USA, singer-songwriter Wayne Osmond was the fourth of nine children in the Osmond family. Raised in a devout Latter-Day Saints household, Wayne, along with his brothers Alan, Merrill, and Jay, began performing as a barbershop quartet in 1958. Their talent was recognised during a 1961 performance at Disneyland, leading to regular appearances on "The Andy Williams Show" from 1962 to 1969. Wayne also showcased his acting skills in the ABC Western series "The Travels of Jaimie McPheeters" during 1963-1964. As the Osmonds transitioned to rock music in the 1970s, Wayne's musical versatility became evident. He played multiple instruments, including guitar and drums, and was noted for his perfect pitch. The group's success was highlighted by hits like "One Bad Apple," which topped the Billboard Hot 100 chart, "Yo-Yo", "Down By The Lazy River", "Hold Her Tight", "Crazy Horses", "Goin' Home", "Let Me In", "Love Me for a Reason", "The Proud One", "I'm Still Gonna Need You" and "I Can't Live a Dream". Wayne's contributions (he penned several of their biggest hits), were integral to the band's harmonious sound and dynamic performances. Wayne faced significant health challenges, including a brain tumor diagnosis in 1997, which led to partial hearing loss, and a stroke in 2012 that affected his ability to play the guitar. Despite these obstacles, he continued to perform with his brothers, with his final intended appearance in October 2018 and a special performance in 2019 for his sister Marie's birthday. At the age of 73, on the 1st January 2025, in Salt Lake City, Utah, USA, following a stroke. Jim Liddane Chad Morgan Born 1933 in in Wondai, Queensland, Australia, Chad Morgan was a singer-songwriter whose performance on a talent show of the self-composed "Sheik of Scrubby Creek", resulted in a recording contract, a hit record and a national tour with fellow country act Slim Dusty. Twenty studio and four live albums followed, accompanied by more then two dozen chart hits including "I'm My Own Grandpa", "Double Decker Blowflies", "There's Life In The Old Dog Yet" and "The Ballad of Bill and Eva", a song which dealt with his own grandparents' aboriginal roots. Morgan - whose trademark buck teeth became the inspiration for the Barry Humphries comedic character Les Patterson, appeared frequently on television, as well as in such movies as "Newsfront" (1978) and "Dimboola" (1979), retiring from public performance on his 90th birthday. At the age of 91, on the 1st January 2025, in Gin Gin, Queensland, Australia, of undisclosed causes. Jim Liddane Leo Dan Leopoldo Dante Tévez, known professionally as Leo Dan, was an Argentine singer, composer, and actor born on March 22, 1942, in Villa Atamisqui, Santiago del Estero Province, Argentina. From a young age, he exhibited a profound interest in music, which led him to pursue formal studies in composition and music theory. His career took off in the early 1960s when he moved to Buenos Aires, where he began recording and performing his own songs. Leo Dan became a prominent figure in the Nueva Ola (New Wave) movement that swept through Latin America during the 1960s and 1970s. His mellow voice and distinctive interpretative style resonated with audiences, leading to a series of hits that have since become classics in Latin American music. Among his most celebrated songs are "Celia", "Fanny", "Como Te Extraño, Mi Amor", "Estelita", "Santiago Querido", "Por Un Caminito", "Esa Pared", "Pídeme La Luna" and "Ojos Azules". His appreciation for Mexican music led him to incorporate mariachi elements into his work, further broadening his appeal across the continent, and he also scored hits in Spain where he lived for several years. Throughout his career, Leo Dan penned more than 2,000 songs and released more than 80 albums showcasing his versatility across various genres, including Latin pop, bolero, and soft rock. His contributions were recognised in 2012 when he received the Latin Recording Academy Lifetime Achievement Award, underscoring his influence and legacy in the Latin music industry. In addition to his musical endeavors, Leo Dan ventured into acting, appearing in films such as "Cómo te extraño" (1966) and "La novela de un joven pobre" (1968), further demonstrating his multifaceted talent. At the age of 82, on the 1st January 2025, in Miami, Florida, USA, of undisclosed causes. © Jim Liddane Segments of some obituaries may have been generated with the assistance of ChatGPT, an AI language model. Earlier Songwriter Obituaries ISA • International Songwriters Association (1967) internationalsongwriters@gmail.com Cookies Policy • Privacy Policy • Copyright Legal Notice This site is published by the International Songwriters Association, and will introduce you to the world of songwriting. It will explain music business terms and help you understand the business concepts that you should be familiar with, thus enabling you to ask more pertinent questions when you meet with your accountant/CPA or solicitor/lawyer. 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